Reviews

24 Frames Per Second at ACE Open

In a state still reeling from the Black Friday arts funding cuts, ACE Open is cast as the phoenix from the ashes of Contemporary Art Centre South Australia (CACSA) and The Australian Experimental Art Foundation (AEAF). While the organisation and […]

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Reviews

‘Ritual as resistance’ Transmediale 2017

This year marked thirty years of Transmediale, the premier festival of (post)digital culture and aesthetics held annually in Berlin at Haus der Kulturen der Welt and other venues. Founded as VideoFilmFest in 1988 to showcase a media format that had […]

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Reviews

9th Berlin Biennale: The Present in Drag

The 9th Berlin Biennale, The Present in Drag drew early anticipation with the appointment of its curatorial team. From the start, the appointment of DIS – a collective of digital producers from New York whose online platform boldly informs and reflects cultural agency today […]

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Reviews

Manifesta 11 Wrap Up

The best way to get your head around the curatorial premise of Manifesta’s 11th iteration, What People Do for Money: Some Joint Ventures, is to think of it as an extension of its curator’s practice. Christian Jankowski, well known for […]

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Reviews

Salote Tawale on LA2016 Sydney: FMX

Sizzle,sizzlethefirstsetofskewersareplacedontheBBQandSezzoSnottheHostwarmsupthenightwithsomeRoxanneShanteandthatwasthefirstsignthatthiswasgoingtobeasatisfyingtwoevenings. What would a feminist methodology sound like? Empowered captivating orators, a manifold of voices with varying perspectives and, of course, some rad music and a couple of feminist dance parties. All images are Liquid Architecture FM[X]: What Would a Feminist […]

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